Adam Dawson

Adam Dawson Side 1 Roy Fowler  0:00  The copyright of the following recording is vested in the ACTT History Project. The day is July 5th 1990.  The subject of the interview is Adam Dawson and the interviewer is Roy Fowler, and we're at ACTT at 111 Wardour Street.&n[…]

Gordon Hales

[…]o register as a conscientious objector was it made very difficultGordon Hales  24:20  noInterviewer  24:24  i mean did one get sympathetic hearingGordon Hales  24:27  it was it was impersonal i had no advice i didn't know that there should be any witnesses to the sincer[…]

Edward Dryhurst

[…]And the Mitchell today is more-or-less modelled on that I think. So he had the most up-to-date camera. Horace Weddon, another cameraman used to use a Pathe camera, which you would just crank at the back. Another popular camera then was the Debrie Parvo which was a four hundred magazine camera.Roy Fo[…]

Dallas Bower

[…]f I don't have that I may go over I don't want to do that at all.' And Graves, I must say who knew nothing whatever about filmmaking was extremely sympathetic he said, ‘You must have what you want.’  So I had Teddy Baird you see and of course I couldn't possibly have had anybody better who kept[…]

Bill Girdlestone

[…] or fiveyears.Fowler/Lawson: Yes. Did you work on any of the earlier colour systems at all? You know, the Dufay and, of course there was the old Pathecolour, Cinecolor, you didn't work on any of those? Now, again in your lifetime you've worked with a lot of cameramen. Which do you reckon perhap[…]

Stanley Watkins

[…] else. They were providing stars, providing singer and so on. But it was an interesting time. You see the first we, when we first started out, we had Pathe doing our pressing, but they couldn't make a big record. They couldn't make a big record, so we changed over to Colombia, and then they changed […]

Phil Windeatt

BEHP 0739 T Phil Windeatt Transcript. Transcribed by Kelly Robinson. DATE OF INTERVIEW: 7 May 2010 at The University of Greenwich INTERVIEWEE: Phil WindeattNAME OF INTERVIEWER: Kelly Robinson [whose dialogue is in italics] COPYRIGHT/CLEARANCE: PHIL Kelly Robinson [KR]: Lovel[…]
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