Gerry Fisher

[…]firm and and because I'd had some engineering training training at technical college, I was able to get a job on a lathe. And I made parts for a microscope. I've gotten the name of the company now. It was quite well known at the time. But I left there after a while and I finished up codec world Hara[…]

Douglas Slocombe

[…] and white films I did anyway. So there's one after that. I'll come to in a minute. But the but that, that one is a black and white was also in CinemaScope, and and because it was for 20th Century Fox. And on the strength of that picture, 20th Century Fox offered me a contract. Elmo Williams was was[…]

Francis Searle

[…]n, yes.Roy Fowler  35:00  Well, no, there was over in 46 oh,Unknown Speaker  35:04  yes, 45 Yeah,Roy Fowler  35:08  I'm scope see if I can get those. But France is what we've been stopped. I gather you've remembered the name of that cameraman that we couldn'tSpeaker 1 &[…]

Dennis Kimbley

[…] I feel it was a very good thing to happen. You needed that competition, not only to push the product forward and give the people out there a greater scope or greater creative scope, and they'd heard before these products, but it also you had a lot of people there who did not like Kodak because they[…]

Philip Donnellan

[…] interested, deeply interested as time went on in this new experience, the experience of becoming familiar with the people of the region and the full scope and extent of this extraordinary region that I'd been dropped into the middle of. As I became more and more familiar with and if you like excite[…]

Leonard Harris

[…] and as I say Hammer gave me a lot of scope really, and um you know, I sometimes had to […]

Leonard (Len) Harris

[…]ospa: And when you worked with the continuity girl.Leonard Harris: Yes and um, you know you work a lot with them and as I say Hammer gave me a lot of scope really, and um you know, I sometimes had to pull half the set down to get the camera in somewhere. I suppose anybody but - I remember Tony Hinds[…]

James Arthur Clark

[…]us a movie show. It was the high spot of the week. It was a sound projector of course and he used to get these pictures from government British Jebus scope film library. Always preceded by a short which would be the secrets of life or the secrets of nature with a VHS limit on the narration and Merri[…]

Gordon McCallum

[…] and people like that, and me, so much encouragement, and scope! The way I worked with David, it was entirely […]

Gordon McCallum

[…] with technicians if they were not pulling their weight. But he gave young cutting room lads and people like that, and me, so much encouragement, and scope! The way I worked with David, it was entirely the way he wanted to work, was to see a rough run-through of all tracks on a reel, as we came to d[…]
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