[…]he studios; shuffle-gate Bell and Howell camera was the best made according to DD; viewfinders in cameras; DD discusses modern developments including scope and Technirama which drew in audiences; 00:43:15 – 00:44:00 Panchromatic negative film stocks and Eastmancolor are regarded by DD as two of[…]
[…]documentaries and interviews with Tony. And then in the last few months, we've been delighted to work with the television restoration company, kaleidoscope in the release of Tony's 1956 series, the Tony Hancock show for a TV and his 1963 series just called Hancock on DVD. And both of those are now a[…]
[…]you're just doing the job. I do. I mean I just I love imagery. I love…Itwas wonderful, eventually to get on to ‘Man Alive’ where I could do more with pictures thanwe could go on World in Action and on ‘This Week’ this week was more visual I think.SRI remember you told me once that you used to think […]
[…], the first black & white film was Dr Strangelove, the first colour film was The King and I or Carousel, which was 55mm CinemaScope so we built gates for that, then digitised it in 4k and did a full dye fading restoration that was recorded on new negatives. Now a lot of […]
