[…]od thing because I was then freelance and man alive still wanted me to edit and three of three of us editing wanted us to carry on. So we moved up to Shepherds Bush to sort of part of the BBC shanty town houses and the Golden Road and Shepherds Bush place called Golden studios, and we have three lit[…]
[…]aff.” Anyway, he carried on and he said “There’s the air ministry, where you could do secretarial work.” I said “where, which air ministry?” He said “Bush House.” I’d almost started my career at Bush House [Aldwych, London] broadcasting on the BBC Overseas Service, to Germany. I said “Oh I’ll have t[…]
[…]llious, and actually got a notice for that in the news chronicle. And er…but I still didn’t really like the idea of acting. Then I went to Shepherd’s Bush, and was interviewed by a fat man who said “he’ll do!”. And er, I said “what am I supposed to do?” and he said er. “you’re a page boy in a hotel.[…]
[…]nbsp;18:09 ... great problems yeah.Jonathan Balcon 18:13 About this time, of course, the Ostrers were developing Gaumont British at Shepherds Bush. And in that great year 1931, which was the year I was born, he was invited Mick to become production head at the new Gaumont Studios i[…]
[…] to be reliable people that has a bunch of either ex army officers or ex district commissioners. And when I went to he said, we're sending you to, to Shepherds Bush, as if I was being sent off to Africa or somewhere. And we we rely on you to tell us what the drums are saying. Did you do do you have […]
[…]e were demobilised. 46 March 46. And I having seen a lot of damn good films, I thought I really got to learn the business again. So I crawled back to Shepherds, Bush and I got a job as a second assistant at five pound a week. If I'd have been wise, I'd have gone back, and I'm now a Major and all tha[…]
[…]e bit it wasn't it wasn't much but it sparked the whole business off, you know, and he's got me a job. As an apprentice with Gaumont British that the Shepherds Bush Pavilion, which was in the largest in modern Europe.And 3000 seater, and I worked for the UN I put out in the care of the art director […]
[…], Greg Miller, and others, I set-off for London. I arrived in London was met by, at Kensington House not far from the Television Centre in Shepherds Bush, and was met by the my executive producer, who had from the beginning insisted that come what may he would support the programme. He kn[…]
[…]as Oh, very yes, no, no, I think I'm more interviews. And she gave me the first chance to do something on my own because some when we moved on to, to Shepherds, Bush, she made a film on animal locomotion how animals move. And she made the theatrical version. And she said to me, look here, there are […]
