[…]OK. The tricks they'd get up to. I had one 35mm print with no change-over cues, and track spillage all the way through. I had a small cutting room at Shepperton at the time, and I used their theatre to view the dozen or so 35mm prints we'd ordered. And bugger me, that same rogue print with no change[…]
[…]think I do remember.Do you remember where it was made?Yes, I do remember it was made at Wharton Hall which of course no longer existsAfter Denham and Shepperton that must have been a bit of a comedown sort ofAh well yes Denham was the first one I actually saw but I never actually worked at Denham as[…]
[…]ars if I was on a Bond or anything like that I used to try and live near Pinewood, I always used to try and get accommodation, or if I was working at Shepperton I would live near an aunt who lives near Shepperton.[20:00]Did you drive yourself to work?Yes, to and from work. I never, well I remember i[…]
[…]anyone else. He would only trust those people. So that relationship was very important to him. I remember working on a feature that was being shot at Shepperton, there was an issue over the, it was a film called Lost in Space, there was an issue over how ends were being used. The cameraman was shoot[…]
[…] was, yes.Sydney Samuelson: What happened there? How did you get that job?Erica Masters: How did I get that job? Preminger was shooting Saint Joan at Shepperton and I used to go over there sometimes to watch it and somehow I got an introduction or I got to meet Jean Seberg and we became very friendl[…]
[…] and that was what he meant, it ' s all ta, ta te ta... . . So that was a little incident.So we did. One opera a day and then eventually went down to Shepperton. No first of all we went to Twickenham. And the music was played back at as loud a level as they could afford into the studio without givin[…]
[…]of your day. I suppose at Pinewood when you were and we didn't know Palmer Shepperton a great deal. I started in our story. We went on to Pinewood and […]
