[…]e pictures two or three times a week I certainly wanted to be in the film industry and had written all the usual letters to Rank and to Sound City at Shepperton, any names I could get that were appertaining to the film industry I had written a letter and got all the usual letters back again, 'Thank […]
[…] said “Can’t you talk the old man to let us go even for a week, somewhere tropical?” No. So, we built it all in a sandpit, the river was built inside Shepperton studios, no … inside Bray studios, the swamp, river they all went through and the jungle was brilliant piece of work by Bernard Robinson, w[…]
[…]in the pub, he said i i Was it I gave the governor the great lover a great kick on the ass or something. I have some anyway. And the film was shot at Shepperton course which was called a studio then Teddy Teddy was on the picture. So the assembly Catherine web assembly Catherine Yes. AndTeddy Darvis[…]
[…]ever likes people who might have back troubles, ‘cos you can swing the lead easy and get the pension. [They laugh] I didn’t go.DB: Ah, okay. So, then Shepperton popped up.PM: Yeah. In fact, not going in the Army did me a lot of good, because it meant as a young lad I was available, whereas if I’d go[…]
[…] of directing. Alex Price was there a long time. . Tony Cummings came there. Bill Gillette was there as a producer. John Cox who was head of sound at Sheppertonwas a mixer there and so was George Burgess. In those days they mixed in a booth. They used. To come out to talk to on the set. Jemmy […]
[…]ause it was genocide. Mackey at that time Anne Frank became personal manager at Shepperton. Frank Frank was a lovely guy. He suffered bit with his health but he[…]
[…] get back to you next thing I hear is that there's a letter from Guy Green which said what I care to contact Andy worker who was managing director of Shepperton Studios which of course where allied film makers made guy Green made most of his films. Being an independent studio who would like to see y[…]
[…]hem, I worked with them. I used their Personnel.R. F. The next one is 'The Day of the Triffid’ which was a bit of a romp?C. D. Another big picture at Shepperton. Mainly of course with the Special Effects, who made all the Triffids, radio controlled. It was the most remarkable set we built. In the st[…]
[…]w in those days. Roy Fowler 1:52 Well your father was I think notoriously under paying was he not compared to say Korda at Shepperton ... Jonathan Balcon 1:58 I would have thought without a doubt Roy Fowler 2:00 O[…]
