[…] understand it. REN ÉE GLYNNE: Yeah, yeah, yeah. DARROL BLAKE: Shepperton, possibly? REN ÉE GLYNNE: No. They were one -hour […]
[…] Then I started quite a lot of work down at Shepperton as a camera operator with Glendenning on quota quickies […]
[…] asked if I would go down and see him at Shepperton, which I did. And he said, "Look Penny, I […]
[…] it? Dicky Leeman: It was, yes. It was done at Shepperton. It was done at Shepperton and I think every […]
[…] Because he was very impressed because when we were at Shepperton he said, "I don't what to post-synch in that […]
[…] rd member, Derek Threadgall on the publication of his book SHEPPERTON STUDIOS – A PERSONAL VIEW, with a foreword by Sir […]
[…] (once a pupil of Matisse). Unique experience of working at Shepperton; the studio of studios. Design of Coppola's Zoetrope Studios […]
[…] Well he was an amazing Matt Artist. He worked at Shepperton. I think that was his first job which, you […]
[…] and Geoff Unsworth. He went to work at Alexander Korda’s Shepperton Studios. His first film was The Sound Barrier (1952) with […]
[…] filmed in England, including on several soundstages at Elstree and Shepperton Studios , As well people talking about these studios, w […]