[…]he is stupid at all. If I knew of anywhere to go I would go myself. So that did not go down well and I left MGM and we went to join Herbert Wilcox at Shepperton to work on his next film The Lady with the Lamp, again with Anna Neagle. But MGM management had been in touch with the management at Sheppe[…]
[…] us any major health issues. I'd be happy what she saw. I think she's perfectly happy. We did have we have no problems.We went to record the music at Shepperton  when they still have the music stage. And it was composed by God is named I used to know is that he was athe man who also composed th[…]
[…]hem, I worked with them. I used their Personnel.R. F. The next one is 'The Day of the Triffid’ which was a bit of a romp?C. D. Another big picture at Shepperton. Mainly of course with the Special Effects, who made all the Triffids, radio controlled. It was the most remarkable set we built. In the st[…]
[…]udible-40:03] basically.
Yes. Yah. I think maybe it was disband... But they were the...
And they all went off to Korda...
Yes. Yah.
...at Shepperton. So there were two, as I remember, principal activities. One was under Sydney Box, who came in...
BECTU History Project
Interviewee I[…]
[…]e did a year after that, with Peter Sellers once again and Richard Attenborough, and I was an assistant on that. [TIME 00.21.02]That was done at Shepperton and that was a good experience, with Ted Scaife asDirector of Photography, James Hill directing. I didn’t mention on The Millionairess[…]
[…]lled Littleton Park productions, which was a very peculiar name for a production company. It was because it was the original name of the big house at Shepperton studios. And Littleton Park was the production company's subsidiary of British lion making principally commercials. It made one or two docu[…]
[…]still as a freelance, of course, I wasn't employed by Studio. I'm in LA, it was out of Pinewood. I was working for several months. I think we went to Shepperton studios actually to finish it. And while I was at Shepperton, I became known by the Shepperton camera departmentUnknown Speaker  6:09 […]
[…]l there was no control over Gabby at all and 'London Town' again, there was no control over the American director. That was the first picture made at Shepperton after the war, 'London Town'. Roy Fowler: Was it? Ah...I thought it was at Pinewood but... Andy Worker: No it was at Shepperton, […]
[…]algamated London Films with MGM, towards the end of the war. It was the one thing he always regretted... AY: That’s right... TD: He brought Shepperton instead; and MGM was always the studio and an art director called Joseph Bato... AY: Yes.TD: ...when they were building it, when Korda[…]
[…]he fault of the sound department, the boom swinger refused to go into the water, it was a poor man's life boat, it all took place seven waves away at Shepperton. The camera operator should have had an Oscar for it, he spent most of the time, or a lot of the time, in the water with a camera on his sh[…]
