[…]ice people on that.SC: So then what?EC: Then Warwick Film Productions, "Red Beret".SC: That was still at Pinewood?EC: No. Now the "Gift Horse" was at Shepperton and so was the "Red Beret".SC: That was quite a successful film too if I remember rightly. That was wartime stuff you had to do, still on t[…]
[…] I, I really worked on myself, I hope I did, yes. Anyhow, so I worked, then I worked in studios, and then... No, then I got, then I landed in, in, in Shepperton, and there I was lucky, because Thornburn, you know the, the studio director, liked me, liked me. And he didn't mind my being pregnant all […]
[…] No, then I got, then I landed in, in, in Shepperton, and there I was lucky, because Thornburn, you know […]
[…] People say god it's dear at Pinewood, that's when they're at Pinewood, but when they're at Shepperton they say it's dear atShepperton, they play one off against the &nbs[…]
[…] Pinewood? Edward Carrick: No. Now the "Gift Horse" was at Shepperton and so was the "Red Beret". Sid Cole: That […]
[…]harles Wilder: Oh it was a wonderful film!John Taylor: Oh yes, yes. Yes wonderful, oh yes I remember.Charles Wilder: Yes. I did that one, that was at Shepperton. I did most of the films at Shepperton. Because I was partly under an agreement to work for British Lion at one time but Maurice Ostrer wou[…]
[…] And at one time I remember I was down at Shepperton working on a commercial and somebody rang up and […]
[…] which one you ask for, you get the other! Not that it makes much difference!" [Laughter.] [We were just...] And at one time I remember I was down at Shepperton working on a commercial and somebody rang up and said could I do something next week and I was already busy. And they said, ["do you know a[…]
[…] us any major health issues. I'd be happy what she saw. I think she's perfectly happy. We did have we have no problems.We went to record the music at Shepperton when they still have the music stage. And it was composed by God is named I used to know is that he was athe man who also composed th[…]
[…]he is stupid at all. If I knew of anywhere to go I would go myself. So that did not go down well and I left MGM and we went to join Herbert Wilcox at Shepperton to work on his next film The Lady with the Lamp, again with Anna Neagle. But MGM management had been in touch with the management at Sheppe[…]
