[…]l there was no control over Gabby at all and 'London Town' again, there was no control over the American director. That was the first picture made at Shepperton after the war, 'London Town'. Roy Fowler: Was it? Ah...I thought it was at Pinewood but... Andy Worker: No it was at Shepperton, […]
[…] need to start shooting, oh we’re going to shoot at Shepperton Studios, and I thought that’s wonderful, I like Shepperton, very […]
[…]e did a year after that, with Peter Sellers once again and Richard Attenborough, and I was an assistant on that. [TIME 00.21.02]That was done at Shepperton and that was a good experience, with Ted Scaife asDirector of Photography, James Hill directing. I didn’t mention on The Millionairess[…]
[…]algamated London Films with MGM, towards the end of the war. It was the one thing he always regretted... AY: That’s right... TD: He brought Shepperton instead; and MGM was always the studio and an art director called Joseph Bato... AY: Yes.TD: ...when they were building it, when Korda[…]
[…] it? Dicky Leeman: It was, yes. It was done at Shepperton. It was done at Shepperton and I think every […]
[…]still as a freelance, of course, I wasn't employed by Studio. I'm in LA, it was out of Pinewood. I was working for several months. I think we went to Shepperton studios actually to finish it. And while I was at Shepperton, I became known by the Shepperton camera departmentUnknown Speaker 6:09 […]
[…] my first job. And all the audience came out and the manager left and it was closed up and not a sound, not a sound. Suddenly a truck with Sound City Shepperton written on it appeared, RCA truck and out came people. Of course they started laying cables and I looked terribly intrigued. They said are […]
[…]reat man and I’m sure many people would think the same. I think these other studios I knew of them but I knew Ted Dooley I think it was Ted Dooley at Shepperton and Frank Buckingham and Johnny Jay I remember. I never really met them and I was so busy that and then I left and opened my ow[…]
[…]sack within a few days!Rodney Giesler: But that was a very ambitious project for a British studio wasn't it?Dicky Leeman: It was, yes. It was done at Shepperton. It was done at Shepperton and I think every musician in the world was used on it. Toots Camarata was the musical director. And to me a gre[…]
[…]ly happy film for Eric. Roy Kellino could not forget he'd been a cameraman and there was a bit of trouble. Then I started quite a lot of work down at Shepperton as a camera operator with Glendenning on quota quickies which took me through until I went to Spain with Sid Cole, Ivor Montagu, Ray Pitt a[…]
