[…] have been determined by the requirements of working for the BBC. Some years ago the BBC published a list of cameras […]
[…] Indent: Left: 0.12 cm, No bullets ornumberingFormatted: Font:9 ptFormatted Date&Digitised&field_date_digitised*Date*(ISO)**Members*Legacy&Access&field_distribution_formats*Taxonomy*Open*taxonomy*Is*this*the*original*recording*if*so*what*is*the*difference*withthis**See*notes*from*our*meeting*on*10*Oct*P*https://historyproject.bitrix24.com/workgroups/group/30/tasks/task/view/72/*(also*copied*below*for*ease)*However,*this*does*need*more*discussion.*Adding*quantities*to*multiple*formats*on*an*open*taxonomy*mean*that*interviews*with*2*CDs*will*show*up*on*a*different*list*to*those*with*3*CDs.*We*agreed*that*this*was*OK*as*a*temporary*measure*and*there*are*alternatives*P*but*all*are*more*technically*complicated*and*will*take*time*and*testing.*It*would*be*good*to*have*a*discussion*with*all*involved*so*there*is*an*agreed*decision*before*I*start*additional*work.*In*the*meantime,*if*info*can*be*collected*on*a*spreadsheet,*this*will*be*really*useful*in*helping*to* understand*the*best*solution.*Members*Location&of&original&field_location_of_original*List*Options:*BFI*Members**** &Actions&from&meeting&10&Oct&and&follow&on&meeting&with&Sue&https://historyproject.bitrix24.com/workgroups/group/30/tasks/task/view/72/**Reviewed*website*fields*in*detail*with*Sue*after*main*meeting.***Interview&recording&data*P*http://historyproject.org.uk/intervie...Precording***Production*Format*field:*There*has*been*some*confusion*about*the*Production*Format*field*(as*opposed*to*Production*Media*P*Audio/Video).*Agreed*to*rename*Original*to*emphasise*that*this*field*is*to*record*the*media*used*for*the*original*recording*(Casette,*etc).***Length*of*Interview:*To*be*renamed*Duration*(mins)*for*conciseness.***Distribution*Formats:*To*be*renamed*Legacy*Access*and*format*of*field*to*change*from*tick*list*to*open*taxonomy*so*that*numbers*of*CDs,*etc*available*can*also*be*recorded.***Location*of*original:*All*originals*are/shoudl*be*at*the*BFI.*A*new*field*will*be*added,*which*will*be*automatically*ticked*to*show*this.*When*an*audit*is*possible,*if*any*originals*are*missing,*this*field*can*be*unticked*as*appropriate.**Field Code ChangedFormatted: Hyperlink, Font:7 ptFormatted: Indent: Left: 0 […]
[…]mething went wrong, you see, so the second one which, and that was the one which, the first one which was all right, was me alone. So I was the first director. Tim Aymes 18:54 Films still exist, Stanley Watkins 18:57 I don't suppose so. No, I had[…]
[…] You can stay in there! I: Vernie was head of, Vernie Coyle, what was his position in STV at the time? R: Well he was a Director, a Company Director. I: Aye. Right! Excellent! Right, I think that's it. [41:52] [41:54]R: We were going to do two O.B.'s in the one day. A Ranger's ma[…]
[…]ed the set on on the interview day and was a crane swooping in over the bed with Jimmy Bawden, the camera operator on on. AndJohn Guillermin. was the Director. And it just looked so glamorous and so exciting. So I started on there and Roy Charman actually showed me the ropes he[…]
[…]s in Tibet, the the Master Ho films weren't they? Katy McGahan 36:33 They would be around 1957, 58, Seven Years in Tibet - 1956. Mary Orrom 36:41 Yeah, KG: On our records MO: That's right, the Seven Years in Tibet was actually very interesting. Y[…]
[…] all very photographic. So I had quite a model agency on my own. And I was able to take the most terrible pictures on this camera and expose them to sunlight and develop them in the lavatory just beyond the kitchen door and I can remember my mother complaining about the terrible smells of my camera […]
[…]you were working on, and it varied as to who had the most say. Sometimes the producer wanted to know everything, and sometimes he just left it to the director. The one who least got their own way was the costume designer, because you had to please so many different people.RL: So when you were actual[…]