[…] fellow who was joining the forces who'd been working at Worton Hall in the laboratory or the dark room. I […]
[…] with Marcel Hellman and young Doug Fairbanks [Douglas Fairbanks Jnr.] who had two companies, Excelsior Films and Criterion Films, and they worked at Worton Hall. We made AccusedSC: Where was Worton Hall because that's disappeared nowRP: Worton Hall that was Isleworth, no Hounslow. I was at Hou[…]
[…]thing sort of concentrated at Pinewood, as the studios closed down. Islington closed down, didn't it? Southall closed down. And eventually Denham and Worton Hall. I suppose, I don't know, Worton Hall, no, Worton Hall wasn't Rank, was it? No, that's right, Worton Hall combined with Shepperton. So I w[…]
[…]lms. Anyway I cut my teeth on these things and we worked also at Southall Studios which used to be an aircraft hangar in the First World War and Worton Hall Studios and on one wonderful occasion we heard the talkies were coming in the shape of Dark Red Roses lit by Eric Cross and it w[…]
[…] at the Pathe Freres laboratory, before joining GB Samuelson at Worton Hall Studios. He returned to newsreel photography in 1929 at the […]
[…]ng, took up my position in the laboratory, and I was in the printing room. Well there I remained for a period, and then I was persuaded to go down to Worton Hall, Isleworth to join G.B. Samuelson. The cameraman down there at the time was Walter Buckston, who also worked for Pathe as a cameraman duri[…]
[…] were in the late 20s. AI: That would be at Worton Hall Billy Williams: Worton Hall I think. Years later […]