Search Results for: lighting director

[…] amateur night on Saturday, so spot work was there, stage lighting was there to a certain extent, but only in […]

[…]he Rialto somehow, although there was a lot more to do, there were stage shows, you had some amateur night on Saturday, so spot work was there, stage lighting was there to a certain extent, but only in a very limited sort of way. It was not a Granada - they said if you could last the week at a Grana[…]

[…]Yes.Not these great, there was no photocopying, and the way the plan was copied from the designer to go to the scene master, the property master, the lighting engineer was that the girl, I, would do carbon copies.Yes.You know, you’d actually go all round the thing with a pencil, no Biros just yet, B[…]

[…] to go to the scene master, the property master, the lighting engineer was that the girl, I, would do carbon […]

[…] film did not necessarily mean that in this instance the lighting cameraman on it was outstanding and in this instance […]

[…]erton was going on and I was working at Shepperton, in the breaks was doing other things in the theatre. And doing Assistant Director jobs. I was moonlighting. It was highly illegal union-wise I suppose, but I knew somebody I think it was a second assistant, they wanted help on a picture called Nigh[…]

[…]ore professional?Robert Beatty: I think so. And having to keep their costs down. There was a seemingly casual way, especially with the cameramen, the lighting cameramen, some of them could be very slow, somewhere quite good, Otto Heller was always fast, he was boom boom boom. Some of the other ones […]

[…]had to explain that the fact that an American film was a very successful film was a very good film did not necessarily mean that in this instance the lighting cameraman On it Was Outstanding and in this instance we quoted ruggles of Redcap, and Dickie was patiently exolaining what he meant in his Di[…]

[…] Cinema Museum Warwick Sound Limehouse Studios Northern Ireland Alexandra Palace. lighting director Crown Film Unit GB Instructional Central Office of Information; […]

[…]we're going to see and this is what we're not going to see." Roy created the whole of Hampton Court like this and brilliantly, and Peter Suschitzky's lighting was brilliant too, because he was my DP. It looked like Holbein paintings. And it ended up as a royal premiere with Princess Anne and Prince […]