[…]also have training programmes, I presume? R: No. I: No?! R: No. No, STV, I went, I might have done a Health and Safety Course. I did a Lighting Course and I did a Time-Code Course and that was in the twenty-seven years! I did three courses for STV! I: So basically you learned on […]
[…]sp;       Q: Even camera equipment00:56:24       JIM WHITTELL: ?? lighting, great competitor to you, or to your brother.                […]
[…]o assistant boom operators. And if the boom moved, went there, he knew exactly was no messing around. And of course he  was highly respected and lighting cameraman always lit for the boom in those days becauseAlan Lawson  4:19  if you had to.Michael Colomb  4:22  And that in[…]
[…];they set up. I mean I remember John and Benny Lee setting up their little lighting and their lighting explains who they are. Benny leave a couple of a cou[…]
[…]  14:33  No..  I think it was Rowson Brothers  probably, they'd all got fingers in the pie because Leslie was lighting with the new Plus -X. So he had a light meter all time because we've got This Plus-X to get used to and no, they're all it's all tied up with[…]
[…]ult was found, our shop was one of two shops. The other one looked after the machinery, like the escalators and lifts and things, we looked after the lighting. And when a fault was was found, it could be just a bulb, or it could be a cable, it could be all sorts of things. But he didn't want to have[…]
[…]nking how much less frightening than I'd ever feared, filming was. How intimate, how lovely everybody is. All the camera people and the grips and the lighting and the director, of the first, bullying first assistant. He became my friend. That was Derek Whitehurst. And he became a real friend. And I […]
Copyright it is vested in the BECTU History ProjectMonty Berman, lighting cameraman, director and producer. Interviewer Alan Lawson.Recorded on 2 I June 1995.SIDE 1, TAPE 1Alan Lawson: Where and when were you bornMonty Berman: I was born on August 16th, 1913 in WhitechapelAlan Lawson: And schoolingM[…]
[…]n was £900, which was quite impossible. The working conditions in the studio were also impossible really for new work. We had no previous setting and lighting, so that on one day, which began at 8:30 there were two hours for setting and lighting and I think that meant getting rid of the set th[…]
[…]had a case crew on on on on the Alexander film. Geoffrey Faithfull was the lighting man Bill Norris was the sound man tell me Miles was a boom operator&nbs[…]
