[…] don't think it turned out to be very bad at all but to make sure that he kept his mouth shut and didn't claim a lot of damages, they promoted him to lighting cameraman. Well this is the story I'm told, whether it's true or not, I can't say - I don't think I'd say too much about this, old chap. But […]
[…] Baker was producing and directing and Monty was producing and lighting. So I went to Monty and said, "Look Mr […]
[…] Interviewer: Sid Cole, Alan Lawson Interviewee: Edward Carrick (Craig), Art Director/Production Designer Sid Cole: Te d d y, i t […]
[…] didn't claim a lot of damages, they promoted him to lighting cameraman. Well this is the story I'm told, whether […]
[…]tion!" Of course I was petrified. I went to see Mr Berman who was - on that picture Bob Baker was producing and directing and Monty was producing and lighting. So I went to Monty and said, "Look Mr Berman I'm terribly sorry, we have a problem. The Italians have said that if we don't give them double[…]
[…]o do this, you've got to do that. And none of it worked. My father as I told you, was involved with , the glass works, and they made film lighting equipment, studio lighting. And one day Pa heard a man called Mr. Bill Norris, was getting somewhere in the building or round the […]
[…]ransport film. And David was the camera man. It was his first sort of film I've ever read. I think because of that, and the different styles of lighting, Dick Lester pinched him for the Knack with came very soon afterwards. Sarah wanted her money up front, and she wouldn't take a profit […]
[…]e conditions were really appalling. I mean we lived in a little tiny village. It was mostly Italian crew with like few English that was Wilkie Cooper lighting Harry Gillam operating Cyril sound colic Sarah colic. That's right. Was it was the sound guy directed by a madman. I'd been an art director a[…]
[…]was an expensive studio to run. The stages themselves were interesting. I can remember it was the first time I'd been in a film studio where they had lighting gantries suspended from the roof. If we'd done that at Shepperton the roof would have caved in. All the lighting at Shepperton was built -up […]
[…]everything is out of sync. The boom operator wears headphones, he should know if it is out of sync. I thought, Good Lord if this man is the technical director we are really in trouble.On the next day we went to the studio. We were met by Gregory Ratoff and introduced to everyone. He said, these two […]
