[…] the real thing and then we go back to normal lighting. But I mean there's a question of handling people […]
[…]a lot so everything you'd rehearsed had to be kind of thrown out of the window! But we all coped and it was fine. But the best joy I had at STV was a Director called Dougie Moodie. Douglas Moodie. He came from BBC to STV and it was Ibsen's The Wild Duck, the play. I'd seen it at the Festival and Dou[…]
[…]sed what I really wanted to do. I appeared in Richard III, with Emily Williams, which was directed by Tyrone Guthrie, who I think is one of the great directors of British theatre. He was tall and very beaky nose, and he er…used to rise up in the stalls and suddenly there’d be this giant telling me ([…]
[…] time I'd been in a film studio where they had lighting gantries suspended from the roof. If we'd done that […]
[…]n Dines who was was the How do you spell his name? IsStephen Peet 9:45 it d yAlan Izod 9:46 no d i n e. s. And Gordon was the lighting cameraman from Ealing studios who was who was really a very great professional. This is interesting because I think To some extent, there was[…]
[…] down to quarter blade stand cameras and we learned the basics of photography real a traditional stuff that once again, I don't regret it one learned lighting one learn to quality black and white printing, read neg retouching. And this was paid for by a grateful government that spurred me on. So I c[…]
David Attenborough – Transcript.The copyright is vested in the BECTU History Project. David Attenborough, television director, producer.Interviewer Norman Swallow, recorded 8 April 1991Recordist: Alan LawsonSIDE ONE, TAPE ONENorman Swallow: Where and when were you born?David Attenborough: I was born[…]
Erica Masters (production manager and assistant director) b.1917 by admin — last modified Jul 29, 2008 05:36 PM BIOGRAPHY: Erica […]
[…] those days only the, sort of, producer, director and the lighting cameraman had a credit, none of us had any […]