[…] come in the next morning. You know, it was a very, I must say, for those days, it was a very casual affair. Yes, we didn't have a lot to do, not the lighting people. Where about speed living that during this period? Well, in this period, I lived here, we bought this house. Oh, really, we bought thi[…]
[…] it took they went up. We had women in charge of departments, we had a woman who was next to the head of the, of the, of the Control Departments, the Lighting Departments.Yes.So that, and that was the way that union agreement was running in that firm which was employing the biggest bunch of ACTT tec[…]
[…] there were the [film] editors.  The [film] editor was a crucial member of the team because once the film had been shot – the reporter, the lighting crew, the cameraman and the soundman and everybody had got on the plane and we’d shot whatever we needed to shoot and bring it back – somebod[…]
[…]new challenges now. There was corporate videos to be made. There was commercials and there was a new thing which I'd not even considered and that was lighting. Lighting was something that somebody else did and I wasn't really too much bothered about it. Operating Cameraman was fine. Now I was intere[…]
[…] Dennis O’Keefe, with a British co-director, Montgomery Tully. O'Keeffe was also the star of the picture with an American actress, Margaret Sheridan. Lighting cameraman was Gordon Lang; camera operator, Arthur Gordon [UNVERIFIED]; and I was in charge of the stereoscopic image control, although Raymo[…]
[…]e now and they have gradually been pushing their way through, quite rightly.Yes. It would have been inconceivable a quarter of a century ago, a woman lighting cameraman, exactly, my example, yes.That would be... editors, yes, I mean there was the odd, one or two editors then and certainly assistant […]
[…]ves, you haven’t got any kind of print grading to guide you as to how scenes are supposed to look and so you’re very much dependant on, obviously the lighting and photography to begin with but also there are things you can do electronically to enhance the artistic look of a scene which you wouldn’t […]
