HP0181 Nancy Thomas – Transcript

[…] vested in the ACTT History Project. Nancy Thomas, television producer/ director. Interviewer Norman Swallow. Recorded on the twenty-fifth of January […]

Gordon McCallum

[…] was a constant problem, we always were trying to improve lighting so that it wasn't too much eyestrain. Anyway, that's […]

Dennis Kimbley

[…]f the contrast and everything else.Roy Fowler  35:11  It's a lost art soDennis Kimbley  35:12  lost. And that was all done by the lightingRoy Fowler  35:14  all the way down the line. To to the one of the people very first person actually we interviewed was Bill girdles[…]

Adrian (Andy) Worker

[…]ally know what it was about, I think he just didn't like Leslie Arliss. Roy Fowler: Was Leslie Arliss dislikeable? Andy Worker: Who was the director... No, no, I found him quite nice. Roy Fowler: Yes he'd been one of the Gainsborough writers hadn't he, along with Val Guest? Andy […]

Reg Sutton

[…]hem up for him in those days.Roy Fowler: That was all extra curricular, it wasn't part of the Movietone news?Reg Sutton: No. That's what you call moonlighting and who hasn't done it?Roy Fowler: Don't tell Alan Sapper. Was there any American input ... Was there any feeling that it was an American com[…]

Julie Cave Transcript Sides 5 and 6

[…] is vested in the BECTU History Project. Julia Cave, television director and producer. Interviewer Norman Swallow. Recorded on the 23rd […]

adrian-andy-worker

[…] Fowler: Was Leslie Arliss dislikeable? Andy Worker: Who was the director... No, no, I found him quite nice. Roy Fowler: […]

Reg Sutton

[…] stick in the mud. And a good cameraman, a good lighting cameraman and he and 1 used to do the […]

Brian Pritchard

[…]s think of it being the relationship with the cinematographer and the choices they make. So I guess there was probably a very few cinematographers or directors that could actually go out and say “No, this is what I’m doing” or…BP: Yeah. You had to be someone pretty important to be able to specify. I[…]

Interview

[…]u it's, it's about the actor's day really, the big time actors have all kinds of you know, they have leading lady options. You know, they approve the lighting cameraman they have to approve or approve the director quite often. They seem to have the power and And I'm not sure it's necessarily a good […]
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