[…]pyright is vested in the BECTU History Project. Time Code 00:00:00:00 to 00:45:46:00Ossie Morris Side 1 I worked I worked on was the Morris lighting camera and interview laws on this recording is the copyright of this recording is vested in the ACTT history project. Side one. Ozzy.SPEAKER:[…]
[…]ell. He was a bit of a rough diamond in those days but we made quite a good team. He had very little help. He was a one man band really was doing the lighting and the operating and everything but he was a very sound technician. He knew exactly what he was doing and if they were very lucky to have hi[…]
[…] from a concrete corridor, open a door and go straight into a pine forest. And when they were shooting on it, it was absolutely marvellous I mean the lighting effects you can get with trees but it was absolutely sick with trees. That's another one of my recollections of night without armour. Now the[…]
[…] from a concrete corridor, open a door and go straight into a pine forest. And when they were shooting on it, it was absolutely marvellous I mean the lighting effects you can get with trees but it was absolutely sick with trees. That's another one of my recollections of night without armour. Now the[…]
[…]t of, little corridors (like that). And I worked in the men's dressing room, where I really learnt the facts of life very quickly! I used to work the lighting board, and the lighting board consisted of the old dimmers, um...how can I explain it? There was a - sort of - an electric wire that went dow[…]
[…] a terrible thing really because every time they wanted to change around, the train had to also tow along with it flat trucks carrying the sound van, lighting generator and all that - everything had to be on this train you see. And if you swapped round, you wanted to go in the other direction or do […]
[…]d also one famous occasion, actually, when suddenly on the screen, one suddenly saw on the right hand side of the screen a Wilkie Cooper, who was the lighting camera. You saw him walking along with a handbash open his hand beautifully.Unknown Speaker  15:58  And Wilkie gave you a plain loo[…]
[…]sources. The budget was of no account, we had vast numbers of 10k lights up in the Abbey for months, which were used as part of the outside broadcast lighting but it was basically there for us to be able to film anywhere we wanted in the Abbey. So I had immense resources. I'm not asserting that the […]
[…]definition and as beautiful as the slow one. But we were seduced into using the fast one because it made life a lot easier and a little bit faster in lighting because it had quite a lot more sensibility.  PF: There have been people in the past who have had an affection for the original Tec[…]
