Search Results for: lighting director

[…] was camera man and assistant , sound recordist and assistant, lighting, grip – ‘I want a pan right across their […]

[…] wear me out and you know the press and the lighting that was instant I had to quickly do that […]

[…]s the Station Announcer and I was told to go and see Mr Thomson. Now, Mr Thomson was the man that owned it all and I had heard of Ray Purdie, who was Director of Programmes, but I'd never heard of Mr Thomson. Well, I'd heard of him but just vaguely. I hadn't realised how powerful he was and he said,[…]

[…]marvellous, he take me on one side so I am what he wants, because it was my first after major arts film and you know, it was quite big deal with huge lighting setups and the business of having to under crank on the tracks with Bill Paget was marvellous timing these things so when it was run, proper […]

[…]and itdepended which films you were responsible for, you got to know throughout the course of a bigdocumentary film, you got to know the producer and director pretty well and that was enjoyable.That was really enjoyable.Taylor/Peet: What was the financial side of all this when, did the money for the[…]

[…] of Interview: 6 March 1987 Interview length (mins): 1.25[WA note: There might be a second interview with Eric Cross] Arthur Graham: Eric Cross, Lighting Cameraman. Eric where were you born and when?Eric Cross: Finchley, 31 May 1902.Arthur Graham: What kind of schooling did you receive?Eric Cro[…]

[…] that film it’s a 10 whole lot different. =s the lighting different? And it was the water quality as = […]

[…] he just loved telling stories and he’d been a good director himself I believe. I hadn’t, mm… Now was this […]

[…] big documentary film, you got to know the producer and director pretty well and that was enjoyable. That was really […]