[…]ght side of the industry. I sort of halved my salary, becoming an assistant, you know, but it was well worthwhile.What kind of an assistant?Assistant director. And that day and age, now out of interest, in that day and age of coursewe were fighting for an apprenticeship scheme in the industry becaus[…]
[…]nking how much less frightening than I'd ever feared, filming was. How intimate, how lovely everybody is. All the camera people and the grips and the lighting and the director, of the first, bullying first assistant. He became my friend. That was Derek Whitehurst. And he became a real friend. And I […]
[…]he money anyway. But even if I just wanted to go and see if I could either borrow money or get a fuel the lovely glass, they had swan neck, secondary lighting was gas, they didn't have batteries. It was gas lighting. In case the mains failed, and I used to go with a taper and light them every day. I[…]
[…] it flipped up and it sent the water up hitting it because when it fell, it then fell parallel. So it looks like real rain. Below stands there on big lighting stands that you want them up there up in the up in the air for quite a few metres quite a few feet. Next, and usually we'll we'll lamps as we[…]
[…]ys remember because we were quite young, you know, we were a young crew, we were all in our 20s.Unknown Speaker 12:08 And for the for the lighting of the blast furnace, it needed a crew of eight, electricians eight and they 10 down from mo Richardson and a huge truck and they jumped out […]
[…]to BBC standards with PPMs with Janet Fields with all the bits you would expect to find in an actual broadcast studio. They had a theatre with proper lighting rigs, big Rank dimmer panel and two tape machines with splice-ball edits. So, as well as the entertainment system where the students sort of […]
[…]The copyright of this recording is vested in the actt history project.Charlotte Jennings, artist, daughter of Humphrey Jennings, the documentary film director, poet, and artist,recorded on the 17th of December 1990. side one interview, Alan Lawson Well was was not, you know, when, when and where wer[…]
[…]aughs]. But anyway, and then I worked at Realist for quite some time.Stephen Peet: Now one of the things that you're credited with is being Assistant Director with John Taylor on The Londoners.Philip Leacock: Oh it was a very exciting project.Stephen Peet: What film was that?Philip Leacock: It was m[…]
[…] on for experience in foreUshortening shots. Crane/flying shot story. Art Director Arthur Lawson. 27:30 U After "The Blue Max" MGM […]
Bernard Vorhaus (film director) 25/12/1904 – 23/11/2000 by admin — last modified Jul 27, 2008 02:46 PM BIOGRAPHY: Bernard Vorhaus […]
