[…] Perspex panels and it was lit from underneath but the lighting of it was just spectacular and I think that […]
[…] went through the script religiously, you had meetings with the director and the producer, and you'd say, "Now I reckon […]
[…]new challenges now. There was corporate videos to be made. There was commercials and there was a new thing which I'd not even considered and that was lighting. Lighting was something that somebody else did and I wasn't really too much bothered about it. Operating Cameraman was fine. Now I was intere[…]
[…]k me but I didn't join in much, I suppose. Not like the famous DianaEdwards- Jones of I.T.N. Do you remember - have you heard of her? She was a studiodirector, the Queen Bee of I.T.N. and she was famous for joining the boys in the pub youknow being one of them. That's how she got on so well in a man[…]
[…]and so long as it was good and in tune… it had to be in tune, mind you… I couldn’t stand anything out of tune but… I found working with Musical Directors like Arthur Greenslade and when we had session men in Saturday Club, and programmes like that… I… there was a mutual respect where I never t[…]
[…]ying. But it went down all right, and that was fine Rodney Giesler 24:57Tell me how you actually went around. This is your first film as a director. How did you go about making it? I mean, did Ram Gopal put on a performance for you? And then you worked out in film terms, how you were goin[…]
[…]thing to do with it. And, yes, you see they were such a team.Yes, yes, yes.[10:00]But, I.... We’ll see, did we mention any other names? The wonderful lighting,cameraman on Thunder Rock.Y es.Whose name in those days was Mutz Greenbaum.Mary Harvey DRAFT Tape 2 Side A62Y es.And some years later, f[…]