[…]any legends involved. I was quite surprised by the quality of this film that Mickey made. But as you say I yeah yeah know the extent to which a quota director would have that kind of influence is in itself interesting. Have we done justice to the time and the activity. Do you think that that period […]
[…]ad the university background that the others had. SC: Was he? I didn’t realise that. I suppose it’s true because almost everybody else among the directors and producers came from, had a university background. DM: Yes. SC: I don’t think Basil needed to have felt that way because people[…]
[…]nbsp;Norman Swallow: Yes, he was in Alexander Palace, television only.Broadcasting house for big senior meeting. He was Director of Television, I'm sure as the title. managing director, maybe just director. Cecil wasHead of Programmes and later Controller[…]
[…] in particular, working for Odeon Cinemas and becoming its managing director from 1985 to 1990. THE HISTORY PROJECT The History […]
[…] in particular, working for Odeon Cinemas and becoming its managing director from 1985 to 1990. THE HISTORY PROJECT The History […]
[…] I think he was underrated. He was a very commercial director which was good for the studio. I think he […]
[…] there were the [film] editors. The [film] editor was a crucial member of the team because once the film had been shot – the reporter, the lighting crew, the cameraman and the soundman and everybody had got on the plane and we’d shot whatever we needed to shoot and bring it back – somebod[…]
[…]grammes to work on. And then my first film as full Assistant when I was made up was a film called “Public School” and the Editor was Paul Carter, the Director was Jonathan Gili and Paul won the BAFTA Craft Award for “Public School” and was was kind enough to share his prize with me. So that was that[…]
[…]rn?Yes I was, I was born in 1912 in New York and I came over to England in... Well, Iwas eleven months old actually. My father was the first American director to be sent to England and he came over to work in the old Walton on Thames studios.Oh. What was his name?Larry Trimble.Larry Trimble?And he, […]
[…]ys paid as a musician when we did any recordings or any other things I did I got adequately rewarded. I didn’t care, apart from which I was moonlighting at home, I’d got another job, if the Musicians Union had known anything about it I would have been imprisoned, I should think.SC: Were you a […]
