[…]ey were well crafted, again looking back on them, they were crafted films, and written by some good writers of that period I've found out since, good directors. Norman Swallow: We can see them on television all the time now. Johnny Speight: That's right. They're very good films. And that's my cultur[…]
[…]out making armour for the film.00:14:17 – 00:21:10 Directors DD worked with include George Pearson, Graham Cutts, Sinclair Hill; after Stoll DD was a lighting cameraman; in 1925 only one film was being made in all of the British Empire which DD worked on as a camera assistant – Satan’s Sister starri[…]
[…] to day. I mean, your cameraman - there were no lighting men in those days; the cameraman did the lighting […]
[…]ves, you haven’t got any kind of print grading to guide you as to how scenes are supposed to look and so you’re very much dependant on, obviously the lighting and photography to begin with but also there are things you can do electronically to enhance the artistic look of a scene which you wouldn’t […]
[…]est Lindgren, Curator of the NFA – MW: That’s the National Film Archive. RS: That’s the National Film Archive.- and my ultimate bosses, the Director and Deputy Director at the IWM. So we ended up going it alone. We developed a computer system called Apparat, which ran on what is known in t[…]
[…]as started off actually by first they were started off about I forgot his name. But they didn't like his rushes and threw him off and English and the director Do you remember the director?Ray Morse 25:12 foreign bloke? I forget and didn'tsee much of it now I remember she used to come is […]
