[…]om Beaconsfield. On. In and South By.SPEAKER: F7Just floundering about. No no shade you know date space and the crew of be shining on waiting for the director of the asset manager to make arrangements to shoot next week in the mines and nobody cares and nothing was. Organised before.SPEAKER: F6It wa[…]
[…] pretty famous at the expense of the people who count, the players, I mean, the players and the writers, the players and the writers. The most that a director should be, is how to present what the player interprets from the script, most effectively. The greatest theatre of my time, with all due resp[…]
[…]you could record on to the wax. Now by the time I got there - yes, wax was fairly used, it was used while they were shooting, for playback, the director in those days would say ‘let me hear that’ and you’d play it back. Now at that time a lot more notice was taken of sound because this w[…]
[…]brick wall so there i was on the scene with Cyril Crowhurst and and myself sort of in the upper layers of the department and i know that our managing director at that time was Kip Heron and he had i think found himself a little frustrated Because he felt that Cyril plain maybe wasone of the old scho[…]
[…] - he was then, and his father was a big director in Gaumont-British. And this friend of mine, we were […]
[…] he used all the jargon - he'd learned everything about lighting just by watching the technicians. And he lit his […]
[…] it looks marvellous from the outside! Peter Stroud: And the lighting, house light panels were on the back wall, they […]
[…] and In Which We Serve (1942). Colleagues mentioned include Art Director Carmen Dillon and NATKE officials Tom O’Brien and Frank […]
[…]to go as hostesses for the oceans. I mean, it wouldn't happen today, I shouldn't think. And yes, Peter Page, who was in Bristol at that time, was the director with a girl who knew the gallery, and that was my first introduction to being on the floor of a television studio with a programme going out.[…]
