[…]ly to the cameraman, and he said if you put the Baby here and spread it, and the Arc here, and he used all the jargon - he'd learned everything about lighting just by watching the technicians. And he lit his sculptures, and did it in a very, very charming way without humiliating the cameraman. And t[…]
[…]until Leslie showed up before we could start any work. And Leslie of course who was a complete happy go lucky chap said happily it's the fault of the lighting man but it was in fact because Leslie didn't want to get to the studios early in the morning. And this was an incident that I happen to remem[…]
[…]ed.The copyright of this recording is vested in the ACTT history project. Sara de Normanville, professionally known as Sara Erulkar, documentary film director. Interviewer John Taylor. Recorded on the twenty-eighth of February 1991, with interjections by her husband, Peter (PdN). Side one.[00:34]Who[…]
[…]rls were jet black. However, by this time they were fully fledged professional musicians, I used to go along, and of course my father was the musical director of the Angel Cinema, Islington, and the pianist used to strum a nice waltz or something, irrespective of what was going up on the screen, and[…]
[…]heard of! Such things didn't exist. People were only employed not from picture to picture but from day to day. I mean, your cameraman - there were no lighting men in those days; the cameraman did the lighting - your cameraman would be, probably, on a day to day rate; certainly not more than a weekly[…]
[…]ising and developing and assessing for rush printing.Fl: Check lighting, so we set co lighting, so we set all thelighting for the pilots which were produced.&nbs[…]
