Search Results for: lighting director
Nigel Wolland
[…] Victoria for a while on the black and white minstrel show for that summer. And then as as technical chief as no as just basically helping out on the lighting and whatever I need to do. And then I I went back to Wimbledon as it was being tripled. It was one of the first ones that Odeon did in London[…]
Jocelyn Rickards
[…]lot of research for this film. 5/4/2001Side 1100:00:00 – 00:28:45 JR talks about how she came to be involved with Alfred the Great, working with director, and future husband Clive Donner, and production designer Michael Stringer; JR conducted research for the film and which materials could be u[…]
Mike Fentiman
[…]w, so, I mean, I guess there were times when we ran for an hour and a half. Member Milosz. Foreman, I think, I think but anyway, then I'm in the film directors sitting in the studio talking. And we've been on the air 11 o'clock and we came off the air at half past 12 Other times, but go on at 10 to […]
Jill Balcon (Day-Lewis)
[…]ink but with the next door neighbours, but there was no television after all, I think we listened to the radio sometimes. There was never enough good lighting in the drawing room at Upper Parrock to read books properly, I used to go up to my bedroom to read. We had, like many families who[…]
Noreen Ackland
[…]well as you know, they still dainty ladies. And it was dirty job. Yes. No, I knew I never felt any empty. I must say that once or twice. I heard of a director who wouldn't have a woman in the cutting room in this in the system. Really? I heard this about several. You know, I could understand it. Act[…]
