[…] one. Al: Because the action in fact distracts from the lighting Billy Williams: Yes, you need just a few seconds […]
[…]l you wanted to have a chat with your director...trouble is with some of them to get them to communicate.John Legard: And did you have your favourite lighting cameraman to do your work justice as it were? I mean, did you have favourite people then?Peggy Gick: Well I only worked on [such] a lot of sm[…]
[…]Side 4, 6 mins]In front of that knock of 10 feet for the fire lanes and public exits and these dreadful men in the London Fire Brigade. Then get your lighting director to show you what you want and he will go white because there is about half the studios lighting he cannot use, with a live studio au[…]
[…]btinternet.com.Speaker 1 0:11 Out of this recording is copyright of this recording is vested in the ACTT History Project. Jeffrey Hermes, lighting, camera man interviews, Gloria Sachs and Alan Lawson, side one.Speaker 2 0:38 Okay, right, once upon a time, starting at the begi[…]
[…] Who was the cameraman over there? Leonard Harris: Well the lighting cameraman on the first picture I went on - […]
[…]ight, and we really did work day and night, on Sundays and everything you know.Alan Lawson: Who was the cameraman over there?Leonard Harris: Well the lighting cameraman on the first picture I went on - I'm trying to think.Alan Lawson: Was it Basil?Leonard Harris: Hmm?Alan Lawson: Basil Emmott was it[…]
[…] a terrible thing really because every time they wanted to change around, the train had to also tow along with it flat trucks carrying the sound van, lighting generator and all that - everything had to be on this train you see. And if you swapped round, you wanted to go in the other direction or do […]
[…]rd, and still is the standard camera of documentary filmmakers. I.Speaker 1 0:00 In your work? Did you tend to favor rather low key style lighting, or you had no particularSpeaker 2 0:13 preferences? Well, it depended on the subject, but I was brought up to have only the mini[…]
[…] tow along with it flat trucks carrying the sound van, lighting generator and all that - everything had to be […]
Copyright is vested in the BECTU History ProjectFREDDIE FRANCIS, lighting cameraman, feature film director, interviewer Alan Lawson, recorded on 24 November 1993SIDE 1, TAPE 1Alan Lawson: When and where were you born?Freddie Francis: I was born in the wilds of North London, Barnesbury, north London […]