Search Results for: lighting director

[…] very good with women from the point of view of lighting effects and things. And when Friese was good he […]

[…]nbsp;but he he was good at actually cuz, you know, he really gave me a break with the operator because he felt that the only way he could improve his lighting was to have someone else write for him. Because Paul's done a lot of training in film schools. I think he ran the cinematography course at th[…]

[…]s around.Speaker 1  25:14  That was roughly the sort of crewing Oh Brendan Stafford, of course, yes, yes. He came on a little bit later for lighting the bigger subjects, the sort of thing I used to do for British Council and some of one or two of the fairly decent sized sponsored jobs like[…]

[…]ave?WR: Prep school in High Wycombe and then the grammar school, and I wasn’t the best student, and my parents were friendly with Edgar Wallace’s Art Director, the only lady art director at the time. She was very talented, when she wasn’t working for Edgar Wallace, mainly in the theatre,LH: Edgar Wa[…]

[…]'ve got a star, which Bebe Daniels was a star, and Friese was the cameraman she wanted, and Friese was very good with women from the point of view of lighting effects and things. And when Friese was good he was very, very good and these things take time as you well know.Roy Fowler: He was slow?[…]

[…]day, working in conjunction with Chief projectionist Percy Gough who I had primed to play the “Fire Evacuation music cue” and switch on the emergency lighting signals that went with this at a time of his choosing rather than the way we traditionally did it by rote after the pep talk. As I blandly ca[…]

[…]of all the various sections through which things had to be filtered before it ever got to, before we ever got to Peter county cameras, sound candles, lighting, is everything. But he was also he was also a chap who had been working as a sound operative on a boom in the studios when I had been a floor[…]

[…]Legard  3:02  your who else worked on that?John Hargreaves  3:05  Jimmy Ritchie was the principal camera man and what a beautiful lighting camera man from night exteriors. He was wonderful. I always felt he was wasted as a producer. Marvellous camera mad standing a marvellous blo[…]

[…]n't actually involve himself and I got the set-up with you, you liked it, I liked it and I turned around to Denys I said “it’s all yours, do the lighting” and walked away. That’s another thing, I always walked away and never fiddled until it's my turn to fiddle. Everyone had their turn. An[…]

[…]t the equipment, right. It had not been my intention, as I Now recall, to stay in Stratton for all that law. What I wanted to do was to go out and do lighting on theatre stages, and above all, I particularly had in mind that somehow they will, please, I'd be finding myself seated at a switchboard th[…]