[…]rk. Just really exciting. Again it’s the buzz of something real. It was extraordinary. DB: And he didn’t have to wait while you spent four hours lighting it? PB-C: He didn’t. [laughter] He had this bright idea that we shoot at night, with – what do you call those things – night-sights.&nbs[…]
[…]we're going to see and this is what we're not going to see." Roy created the whole of Hampton Court like this and brilliantly, and Peter Suschitzky's lighting was brilliant too, because he was my DP. It looked like Holbein paintings. And it ended up as a royal premiere with Princess Anne and Prince […]
[…]not knowing anything about the story or what it was about and just said 'Well put a few flats here and a few flats there and see what we can do.' The Lighting Cameraman would come and approve and it was all sort of built together between us.R. F. So you had no operating budget for the picture?C. D. […]
[…]one rang one Saturday morning and I think it was Hal and there was an entire unit at Ealing waiting to start shooting. The carpenters were there, the lighting men were there, the actors were there but there was no electrician there and nobody would dare touch the main switch. And I remember Mick say[…]
[…] and Head of Drama at the BBC. He initiated the creation of Doctor Who in 1963.16 Sean Kenny (1929-1973) was an Irish set, costume and lighting designer. He is most notable for his work with Lionel Bart on musicals including Oliver! (1960). ED: I tried to make it l[…]
[…]ewman-Sinclair cameras; B&D used Mitchell cameras; they made their own blimps for the Mitchell cameras. Side 200:00:00 – 00:07:30 Changes in lighting equipment; early days at Gaumont they worked with daylight, blinds and carbon arc lights; when more lights were available the studio was pain[…]
[…]e lights in the valley, and borrowed a few rags of blankets and things like that. The first was normally post out came back, I took responsibility of lighting the fire and failed. We were limited to cigarette lighters and matches and extremely wet wood. So we all huddled into one bed, pulled everyth[…]
[…] down to quarter blade stand cameras and we learned the basics of photography real a traditional stuff that once again, I don't regret it one learned lighting one learn to quality black and white printing, read neg retouching. And this was paid for by a grateful government that spurred me on. So I c[…]
[…]o do this, you've got to do that. And none of it worked. My father as I  told you, was involved  with , the glass works, and they made film lighting equipment, studio lighting. And one day Pa heard  a man called Mr. Bill Norris, was getting somewhere in the building or round the […]
